Monday, October 8, 2012

Presentation Thesis


Remember the Titans reflects and reproduces the cultural ideology that sports – especially football – are an exclusive, male-dominated arena.  The film accomplishes this by repeatedly portraying images of traditional masculinity – images of father figures, aggressiveness and anger, and homophobia, for instance – and by marginalizing female characters who attempt to invade the male-dominated field. The film also asserts that the bonds of masculinity and brotherhood that are forged on the field of play are strong enough to bridge even the widest cultural, political, and racial chasms. 

Marginalization of Female Characters


The cast of Remember the Titans is male-dominated, but there are a few women scattered throughout.  Though these women are present, they are hardly main characters and even the most prominent of the female characters is only acceptable because of her role in the patriarchy.

 

Gerry Bertier’s mother:  I had to look up her up to even know her name, I’m not sure if it is mentioned even once in the movie.  Gerry’s mother probably has about 4 lines in the entire movie, all of which involve enforcing or obnoxiously disrupting practices of masculinity.

·         Gerry’s mother refuses to let Gerry go play basketball with Julius and tell’s Gerry that he must attend church with his mother.  In this scene, Gerry’s mother points out to Gerry how ashamed his father would be if he knew what Gerry is doing.  Thus, his mother is here to enforce the rules of patriarchy that Gerry’s father can no longer do now that he is dead

·         The scene directly after Gerry is in the car accident Julius approaches Gerry’s mother with tears in eyes.  Gerry’s mother looks at Julie stone-faced and says “You’re strong.  Those tears aren’t going to make my boy walk again.” What does this enforce?  Real men don’t cry and grieving the loss of a teammate is not worthwhile; it will not solve anything.  Julius must suppress his emotional reaction; otherwise he’d never be able to face Gerry.  In turn, these men must channel their sadness into anger, an appropriate male reponse, and use it to win.

 

Gerry Bertier’s girlfriend:  the only thing Gerry’s girlfriend serves to be in a cog in the machine for the male-bonding occurring throughout the movie.  Luckily, Gerry keeps his senses and doesn’t allow this superfluous influence on his life impact the male relationships he had with his teammates or his ability to succeed on the field.  Remember, women are a distractin.

 

Julius Campbell’s girlfriend:  She doesn’t have a name.  What is her role?  A prize for Julius’s success on the field.  Julius and his team make it to State?  Julius is rewarded with sex from his girl.  She is even referred to as “my girl.”  (“I gotta be with my girl tonight.”).  The suggestion here seems to be that Julius’s male obligations to the team can be sacrificed if he’s transferring himself into another male role:  the sexual being.  It is expected that a man would sacrifice time with his friends to “get some.” 

 

Sheryl Yoast: probably the most interesting of all the female depictions in the entire movie, Sherly Yoast the young female tomboy, child of Coach Yoast.  She is seemingly disruptive to the patriarchy (a girl who knows a lot of about football, whaaaa??), but at closer evaluation, she is marginalized just like the other female characters in the film. 

·         Throughout the film, male characters are constantly making remarks about Sheryl’s tomboy behaviors, especially from the Boone family. Coach Boone is extremely resistant to Sheryl’s behavior, constantly saying things like “don’t you want to accessorize?” or “why don’t you go play with dolls,” which is an extremely insulting

way to address a young girl who has a superior knowledge of sports. Along with this, Coach Boone’s daughter is incessantly making comments about how weird she is.  Arguably, Coach Boone’s daughter acts as a foil to Sheryl, once even refusing Sheryl’s offer to play basketball because she had just painted her nails.

 
·         There is also the question of why the film has this tomboy-like character.  Yoast is a single father, and so my suggestion would be that Sheryl is a tomboy so the movie is not distracted by Yoast’s status as a single father.  It also reminds me of my own experience as a sports fan growing up.
o   I like sports because my dad and brother like sports.  My father refused to bend to accommodate my status as a woman, so I had to alter my female status to better fit his male lifestyle. I too adopted tomboy characteristics as a way to relate to my father.  Because of this, I relate to sports, and sometimes other aspects of my life as a “typical man” would because I desired acceptance from my father as a young girl.  As I’ve gotten older, I’ve managed to rework my identity to include those aspects of being a “female” that I enjoy and appreciate; however, I still maintain many of my “male” characteristics from my youth.
o   I see a lot of me in the depiction of Sheryl in this movie.  Yoast cannot be expected to adapt his masculinity to accommodate the rearing of his child.  That was supposed to be his wife’s job. Thus Sheryl must enter the patriarchy as a way to relate to her father and be including in his world.
·         Despite Sheryl’s efforts; however, she is still marginalized.  A few scenes that come to mind:
o   Someone saying “why don’t you get that girl some pretty dolls or something?”
o   She is the one serving the boys water at camp
·         And of course the epiphany we are forced to face:  we find this girl funny.  Even though she acts exactly like zealous male fans, she is comedic in her reactions to football.  Why? Well, she’s a woman and women don’t watch sports like that.  In fact, they don’t know much about sports at all. 

Who's Your Daddy?: Father Figures


American sports, particularly football, are characterized as being watched, encouraged, and activated by males who are parents or become a father to a team.  This is seen throughout Remember the Titans.
http://www.youtube.com/watch?v=Ey_IYIKbH8Y


-Coach Boone begins the football season without respect; he gains it by becoming the most masculine out of the team
            -Coach Yoast is defended as if he is the teams own father after the announcement of the new coach
            -This is continued throughout the film: practices, conversations between coaches, games
            -Once he has asserted his masculinity, he is respected and loved

-Other father figures act as the mouthpiece for their families or the society in general
            -Fathers speak for players
            -Protests by parents
-Fatherhood isn’t just seen as an acting out of masculinity; it is seen as necessary to masculinity
            - “You do have a dad?” -Gerry

            -Without a father, a man cannot learn masculinity

-The role of father figures in the movie reinforces the idea that sports in America are based on rough, masculine, male-dominated values
            -Mothers have little to no voice
            -Yoast’s daughter, with no mother figure, becomes an anomaly

Visal Representations of Masculinity

 
Masculinity works in many ways throughout Remember The Titans. Cinematically, the movie itself is a journey that fails to focus on anything but masculine identities, and seems to draw parallels to the ability of male bonding and football to overcome any social issue.  In “Remember The Titans.”
             Visually the movie reinforces the importance of masculinity in various ways. All of the major characters are men, with the exception of Coach Yoat’s daughter Sheryle. She is portrayed as a tomboy who hates dolls, only loves football, and sports jerseys from time to time. In one specific scene, she sits and exchanges football tips with the head coach while his own daughter (in a dress with painted nails) plays with dolls and rolls her eyes. The juxtaposition of the masculine identity in Sherly and feminine identity Boone’s daughter would be cute if the movie wasn’t so obviously slanted to favor Sheryl.
 
The problem is that this is an entirely made up identity. The real Sheryle was one of four daughters, did not live with her father, and apparently was not near as crazy about football or sports as they made her look in the actual movie.  Why masculinize the identity of a character that is irrelevant to the plot?
           
 
 
Sunshine is made fun of by his peers for his “girly” experience. Visually, he has long hair, practices meditation, and generally presents a calm exterior. Sunshine only begins to get along with his teammates after he beats Gerry Bertiere in a fistfight, because apparently it makes sense that the best thing to resolve strained relationships is good, old fashion violence.  This is actually a theme that trends throughout the entire movie (another example is how Julias and Bertiere only bond after Julias decleats Petey.)  He also faces his own form of bias in the movie as many people refuse to interact with him under suspicion that he is gay and or a hippy. But the important part is that Sunshine is initially introduced to us like this:

But Sunshine drops his long hair and tie-dye clothes, and eventually becomes more synonymous with the masculine identity that the rest of the Titans represent.  By the end of the movie, he is a wrecking machine who single handedly crushes three defenders in the final play. Oh, and he looks like this:


 
Ultimately, it seems that the only explored trait within the characters of Remember the Titans is masculinity.  All of the team players are hulked up on testosterone and football.  Sheryl, the only female who gets any real screen time, is masculinized for no apparent reason.  Meanwhile, Sunshine is ostracized at the outset and is only accepted by his teammates once his masculine identity develops.  Women are brushed aside throughout the entire script as creatures who don’t understand or are annoyed by masculinity/football and whose only concerns are to paint their nails or play with dolls. 

Fitting into the Historical Moment


Although it was not as apparent as in the 1960s and 70s, racism was still an issue at the turn of the 21st century when Remember the Titans (2000) was made.  In an article from the Los Angeles Times, Gregory Allen Howard (the writer of the Titans screenplay) says that he moved to the town of Alexandria, Virginia to try and get away from the stress and racial tension of Los Angeles (Howard).  Alexandria was recommended to him by relatives who lived there and praised the town for being “well-integrated” (Howard).  Howard wrote the screenplay and was turned down by nearly every producer in Hollywood, claiming that no one would want to see another emotional, inspirational movie like Remember the Titans (Dretzka).  In another article from the Chicago Tribune, as a response to the denial of his sappy, inspirational movie, Howard is reported as saying that his intention was not to fight racism but to fight cynicism (Dretzka).  This comment helps to place Titans within the historical moment; around the turn of the century, people had become somewhat complacent when it came to the issue of racism because it was not as apparent as it was in the decades before, but Remember the Titans effectively got people thinking and talking about racism by reminding them that racism didn’t disappear with the end of the Civil Rights movement and that peaceful coexistence of different races requires effort to maintain.

Works Cited


Dretzka, Gary. "Screenwriter Runs Longest Yard." Chicago Tribune 01 010 2000, n. pag. Web. 7 Oct. 2012.

Howard, Gregory. "Remembering the History of 'Titans'." Los Angeles Times 30 009 2000, n. pag. Web. 7 Oct. 2012.
http://www.youtube.com/watch?v=Ey_IYIKbH8Y  - "Who's your daddy?" Video Clip

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